Didi Leithäuser

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Didi Leithäuser Video

Extant Roman coins struck by the Alexandrian mint show that a statue of Triton was positioned on each of the building's four corners, and a statue of Poseidon or Zeus stood atop.

Al-Masudi wrote in the 10th century CE that the seaward-facing side featured an inscription dedicated to Zeus.

Late accounts of the lighthouse after the destruction by the Crete earthquake include Ibn Battuta , a Moroccan scholar and explorer, who passed through Alexandria in and Battuta noted that the wrecked condition of the lighthouse was then only noticeable by the rectangle tower and entrance ramp.

Battuta's account measured each side of the tower to be shibr Battuta detailed plans of Sultan An-Nasir Muhammad to build a new lighthouse near the site of the collapsed one, but the plans were never fulfilled after the sultan's death in The lighthouse was partially cracked and damaged by earthquakes in and , followed by structural collapse in the earthquake of , and then again in and Documented repairs after the earthquake include the installment of an Islamic style dome after the collapse of the statue that previously topped the monument.

The 10th-century writer al-Mas'udi reports a legendary tale on the lighthouse's destruction, according to which at the time of Caliph Abd al-Malik ibn Marwan r.

The search was cunningly made in such a manner that the foundations were undermined, and the Pharos collapsed. The agent managed to escape in a ship waiting for him.

In , the lighthouse was rediscovered. She confirmed the existence of ruins representing part of the lighthouse.

Due to the lack of specialized archaeologists and the area becoming a military zone, exploration was put on hold.

French archaeologists led by Jean-Yves Empereur re-discovered the physical remains of the lighthouse in late on the floor of Alexandria's Eastern Harbour.

Empereur's most significant findings consisted of blocks of granite 49—60 tonnes in mass often broken into multiple pieces, 30 sphinxes , 5 obelisks and columns with carvings dating back to Ramses II — BC.

The cataloging of over 3, pieces was completed by Empereur and his team at the end of using a combination of photography and mapping.

Thirty-six pieces of Empereur's granite blocks and other discoveries have been restored and are currently on display in Alexandria museums.

In the early s the underwater archaeologist Franck Goddio began exploration at the opposite side of the harbor from where Empereur's team had worked.

Subsequent satellite and sonar imaging has revealed the additional remains of wharves, houses and temples which had all fallen into the ocean as a result of earthquakes and other natural disasters.

Legend has it that the people of the island of Pharos were wreckers ; hence, Ptolemy I Soter had the lighthouse built to help guide ships into port at night.

Since a number of proposals have been made to replace the lighthouse with a modern reconstruction. In , the Egyptian government and the Alexandria governorate suggested building a skyscraper on the site of the lighthouse as part of the regeneration of the eastern harbour of Alexandria Port.

The plan was opposed by Alexandria-based sociologist Amro Ali. The lighthouse remains a civic symbol of the city of Alexandria and of the Alexandria Governorate with which the city is more or less coterminous.

A stylised representation of the lighthouse appears on the flag and seal of the Governorate and on many public services of the city, including the seal of Alexandria University.

Now because of the narrowness of the strait there can be no access by ship to the harbour without the consent of those who hold the Pharos.

In view of this, Caesar took the precaution of landing his troops while the enemy was preoccupied with fighting, seized the Pharos and posted a garrison there.

The result was that safe access was secured for his corn supplies and reinforcements. After he [Sostratus] had built the work he wrote his name on the masonry inside, covered it with gypsum, and having hidden it inscribed the name of the reigning king.

He knew, as actually happened, that in a very short time the letters would fall away with the plaster and there would be revealed: 'Sostratus of Cnidos, the son of Dexiphanes, to the Divine Saviours, for the sake of them that sail at sea.

History then should be written in that spirit, with truthfulness and an eye to future expectations rather than with adulation and a view to the pleasure of present praise.

From Wikipedia, the free encyclopedia. For other uses, see Pharos disambiguation. Ancient lighthouse in Egypt.

Yale University Press. In Peter A. Clayton; Martin J. Price eds. The Seven Wonders of the Ancient World.

London: Routledge. Season Episode November 18, Retrieved March 5, Archived from the original on March 10, Retrieved March 27, Everyman's Smaller Classical Dictionary.

Vintage Alexandria: Photographs of the City, — American University in Cairo Press. In comparison, the Parthenon is estimated to have cost at least talents of silver.

From Mycenae to Constantinople: the evolution of the ancient city. Architecture of Alexandria and Egypt B. D Muqarnas Online.

Seven Wonders of the Ancient World. October Engineering Failure Analysis. From Byblos to Pharos: some archaeological considerations.

Grimal, M. Retrieved April 29, Archived from the original on November 10, The seven wonders of the ancient world.

Dictionary of Islamic Architecture. Winston-Salem, N. Blair, Taipei: Caves Books, Ltd. Page Following that, the poem tells us they went to the South in June.

A very sweet passage in the poem conveys how much she loved her father, how she thrived on what she learned from him.

Or was she deliberately placing distant between them? The poem does not tell us. She reads a novel her father has written.

For a number of stanzas we think she is backing away from her parents—growing up, no doubt—but next she remembers how her dad relearned chemistry to help her with her homework.

And then, without a change of tone, she remarks that her father entered a mental institution. Is this fact, too? She tells us about a note he has written:.

What I most regret: doing this to my children. Italics hers. For me, this is the climax of the poem, the greatest depth, the saddest and most human efflorescence of emotional pain.

But that is how I think of it here. Too much, now, to hold: my young parents, such tourists in marriage, in need of all my watching.

It is, obviously, ingenious. Yet the playfulness manifest in the end words upends rather like the anagrams themselves the sadness in the poem, converting it, if only partially, to a cheerful, lively game.

We could say that the mood of the poem is an anagram, a revision, of its sadness, its mystery. Then again, we could say that the anagrams are analogues of the secretiveness mentioned in the poem.

In fact, I think we can say both things at the same time. Perhaps both? And once again we have encountered a sentence of brilliant syntax.

I find this conclusion moving—that only by shaking can she establish herself—and strange, for surely shaking is unlikely to underline her existence.

While the reference to East Coker is fine, an epigraph to the poem, taken from T. Eliot, is almost mystifying.

Another poem in this section, a sonnet, displays extraordinary maturity. But then if the reader let the leopard out of its cell, the reader would be complicit with the leopard, as morally liable to what the leopard does as the leopard himself is.

That said, this is a marvelous book and I hope and believe many will read it. Why is it titled The Borrowed World?

Some of the poems are about her family members and close friends; that may be a kind of borrowing. Author of 25 books as of February 1, 10 chapbooks, 2 translations of classical drama.

Former Poet Laureate of Virginia. John the Divine, NYC. Eminent Scholar, UAH, Her newest book is Quartet for J.

Robert Oppenheimer poems. View all posts by Kelly Cherry. Skip to content.

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Didi Leithäuser Video

Didi Leithäuser

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He knew, as actually happened, that in a very short time the letters would fall away with the plaster and there would be revealed: 'Sostratus of Cnidos, the son of Dexiphanes, to the Divine Saviours, for the sake of them that sail at sea.

History then should be written in that spirit, with truthfulness and an eye to future expectations rather than with adulation and a view to the pleasure of present praise.

From Wikipedia, the free encyclopedia. For other uses, see Pharos disambiguation. Ancient lighthouse in Egypt. Yale University Press.

In Peter A. Clayton; Martin J. Price eds. The Seven Wonders of the Ancient World. London: Routledge. Season Episode November 18, Retrieved March 5, Archived from the original on March 10, Retrieved March 27, Everyman's Smaller Classical Dictionary.

Vintage Alexandria: Photographs of the City, — American University in Cairo Press. In comparison, the Parthenon is estimated to have cost at least talents of silver.

From Mycenae to Constantinople: the evolution of the ancient city. Architecture of Alexandria and Egypt B.

D Muqarnas Online. Seven Wonders of the Ancient World. October Engineering Failure Analysis. From Byblos to Pharos: some archaeological considerations.

Grimal, M. Retrieved April 29, Archived from the original on November 10, The seven wonders of the ancient world. Dictionary of Islamic Architecture.

Winston-Salem, N. Blair, Taipei: Caves Books, Ltd. Page The Travels of Ibn Battutah. London: Picador. Game Pressure. July 28, Retrieved October 29, Ziff Davis, LLC.

July 26, October 31, February 15, Retrieved August 2, September 11, Steam Community.

October 5, Assassin's Creed Origins: how Ubisoft painstakingly recreated ancient Egypt. Retrieved November 25, Retrieved May 21, Al-Bakri; Dozy, Rheinhart P.

Leyde, E. Clarie, Thomas C. Pharos — A Lighthouse For Alexandria. Back Channel. Clayton, Peter; Price, Martin Eickhoff, Ekkehard Seekrieg und Seepolitik zwischen Islam und Abendland: das Mittelmeer unter byzantinischer und arabischer Hegemonie in German.

De Gruyter. Johns Hopkins. Trethewey, Ken Ancient Lighthouses. Ancient Egypt topics. Index Major topics Glossary of artifacts.

But having picked up the block, she realizes she has lost sight of the animal. I place the rock back in my purse. Her stated, or created, ambivalence about the right thing to do is how she stirs anxiety in the reader: would we, in her place, put the animal out of its pain, or allow it to live as long as it can?

A question like this, a question of morality, is not simply her question. The poem asks the reader what is the right thing to do, and certainly it is not an easy question.

Philosophers and doctors, but of course not exclusively them, wrestle with it constantly. And a poet who confronts the reader with such a question has a searching mind and an acute sensitivity to moral dilemmas.

I have to say I always admire writers who take on issues of morality. Their work may make the reader uneasy, even queasy, but that is precisely why we have to think about this subject: what is moral?

At least they are not a couple who share a sexual life. I know I do. The poem is dedicated to her father.

One haiku reads:. Sleeping in the crook of your arm I can sense my mother in your shirt. This haiku links her mother and father, perhaps in a way neither of them would have recognized in the past.

For the daughter, they are still a single thing: her parents. Elsewhere in the poem we learn that the speaker and her parents lived for a time in Iceland, where her father was later made a member of the Order of the Falcon on behalf of his work about Nordic literature, which strikes me as fairly exotic even though many have read at least some Nordic literature.

Following that, the poem tells us they went to the South in June. A very sweet passage in the poem conveys how much she loved her father, how she thrived on what she learned from him.

Or was she deliberately placing distant between them? The poem does not tell us. She reads a novel her father has written.

For a number of stanzas we think she is backing away from her parents—growing up, no doubt—but next she remembers how her dad relearned chemistry to help her with her homework.

And then, without a change of tone, she remarks that her father entered a mental institution.

Is this fact, too? She tells us about a note he has written:. What I most regret: doing this to my children.

Italics hers. For me, this is the climax of the poem, the greatest depth, the saddest and most human efflorescence of emotional pain.

But that is how I think of it here. Too much, now, to hold: my young parents, such tourists in marriage, in need of all my watching.

It is, obviously, ingenious. Yet the playfulness manifest in the end words upends rather like the anagrams themselves the sadness in the poem, converting it, if only partially, to a cheerful, lively game.

We could say that the mood of the poem is an anagram, a revision, of its sadness, its mystery. Then again, we could say that the anagrams are analogues of the secretiveness mentioned in the poem.

In fact, I think we can say both things at the same time. Perhaps both?

Then again, we could say that the anagrams ballers netflix analogues of the secretiveness mentioned check this out the poem. Why is it titled The Borrowed World? View all posts by Kelly Cherry. Inthe lighthouse was challen cates. Winston-Salem, N. Eickhoff, Ekkehard Archived from the original on November 10,

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